"Mass No. 2 in G Major, D. 167: II. Gloria" by Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon was released on January 1, 1990. The duration of Mass No. 2 in G Major, D. 167: II. Gloria is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Mass No. 2 in G Major, D. 167: II. Gloria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Schubert: Mass No. 2 in G Major, D. 167 & Mass No. 6 in E-Flat Major, D. 950". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Mass No. 2 in G Major, D. 167: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass No. 2 in G Major, D. 167: II. Gloria by Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第2曲 どこへ? | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 125 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM |
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