"Mass No.2 in G Major, D.167: III. Credo" by Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra had its release date on 1989. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Denis McCaldin, Haydn Society Orchestra's "Haydn & Schubert: Masses" album is number 11 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mass No.2 in G Major, D.167: III. Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No.2 in G Major, D.167: III. Credo by Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM |