"Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata" by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti was released on February 17, 2023. With Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata II In G Minor: I. Grave (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 0 | 11A | 132 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
La divisione del Mondo: Aria "Lumi potete piangere" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Viola da Gamba Sonata in G Major, BWV 1027: III. Andante | Johann Sebastian Bach, Hille Perl, Michael Behringer | F♯ Major | 1 | 2B | 83 BPM | ||
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM |
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