Johann Sebastian Bach, Parker Ramsay's 'Goldberg Variations, BWV 988: Variation 16. Ouverture (Arr. for Harp)' came out on September 18, 2020. The duration of Goldberg Variations, BWV 988: Variation 16. Ouverture (Arr. for Harp) is about 3 minutes long, at 3:26. Based on our data, "Goldberg Variations, BWV 988: Variation 16. Ouverture (Arr. for Harp)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 32 in Bach: Goldberg Variations (Arranged for Harp) by Johann Sebastian Bach, Parker Ramsay. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Goldberg Variations, BWV 988: Variation 16. Ouverture (Arr. for Harp) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations, BWV 988: Variation 16. Ouverture (Arr. for Harp) by Johann Sebastian Bach, Parker Ramsay is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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