"Manon Lescaut / Act 2: Oh, sarò la più bella!...Tu, tu, amore tu" by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. Since Manon Lescaut / Act 2: Oh, sarò la più bella!...Tu, tu, amore tu is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #19. The popularity of Manon Lescaut / Act 2: Oh, sarò la più bella!...Tu, tu, amore tu is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 2: Oh, sarò la più bella!...Tu, tu, amore tu by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 1: "Deserto sulla terra" | Giuseppe Verdi, Luciano Pavarotti, Ingvar Wixell, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E♭ Minor | 1 | 2A | 66 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Alfine eccoci qua" (Conte, Figaro, Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F♯ Major | 1 | 2B | 109 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Dunque voi Don Alonso" (Bartolo, Basilio, Rosina) | Gioachino Rossini, James Levine, Beverly Sills, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | D Major | 1 | 10B | 116 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Insomma io ho tutti i torti ... (Figaro/Conte/Rosina/Basilio/Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 2 | 9B | 67 BPM | ||
Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 141 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Minor | 1 | 4A | 169 BPM |
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