Giovanni Paisiello, Renato Cesari, Orchestra Sinfonica Nazionale della RAI di Milano, Angelo Questa's 'Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live]' came out on January 22, 2008. The duration of Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live] is about 3 minutes long, at 3:05. Based on our data, "Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Paisiello: Fedra, R 1.75 (Live)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live] by Giovanni Paisiello, Renato Cesari, Orchestra Sinfonica Nazionale della RAI di Milano, Angelo Questa having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056: 2. Largo | Johann Sebastian Bach, András Schiff, Chamber Orchestra of Europe | F Minor | 0 | 4A | 62 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
La clemenza di Tito / Act 2: "Se mai senti spirarti sul volto" | Josef Mysliveček, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 76 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": I. Adagio - Allegro | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
Section: 0.7995202541351318
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