David Alagna, Roberto Alagna, Richard Rittelmann, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte II: Qui êtes-vous ?' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Le dernier jour d'un condamné / Acte II: Qui êtes-vous ?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 2 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Qui êtes-vous ? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Qui êtes-vous ? by David Alagna, Roberto Alagna, Richard Rittelmann, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Commando mandibule | Mathieu Lamboley, Orchestre national d'île-de-France | F Minor | 1 | 4A | 123 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Symphony No. 9, Op. 95 / Philharmonia Overture - Excerpt from "New World" | Eduardo Noya, Orchestre national d'île-de-France | E Minor | 1 | 9A | 74 BPM | ||
Nel Amor S' E Mudo | Emma Shapplin | B♭ Minor | 6 | 3A | 94 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Le dernier jour d'un condamné / Acte I: C'était par une belle matinée d'août | David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson | G Minor | 3 | 6A | 98 BPM | ||
Le dernier jour d'un condamné / Acte II: Il est dix heures... Encore six heures et je serai morte! | David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM | ||
Les Contes d'Hoffmann: Barcarolle - Remasterizado 2003 | Tania Libertad | F Major | 4 | 7B | 82 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Voici que le printemps, L. 6 | Dilyana Georgieva, Galina Apostolova | F Minor | 1 | 4A | 129 BPM |