"Jeux d'enfants, Op. 22: III. La poupée" by Georges Bizet, Karin Lechner, Sergio Tiempo was released on November 9, 2018. The duration of Jeux d'enfants, Op. 22: III. La poupée is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Jeux d'enfants, Op. 22: III. La poupée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Klassisches Klavier" album is number 19 out of 28. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Jeux d'enfants, Op. 22: III. La poupée's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jeux d'enfants, Op. 22: III. La poupée by Georges Bizet, Karin Lechner, Sergio Tiempo to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |
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