"Ellens Gesang III, D. 839, Op. 52, No. 6: 'Ave Maria'" by Franz Schubert, The Priests, Sally Herbert had its release date on November 14, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Priests". In this album, this song's track order is #1. Ellens Gesang III, D. 839, Op. 52, No. 6: 'Ave Maria' is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ellens Gesang III, D. 839, Op. 52, No. 6: 'Ave Maria' by Franz Schubert, The Priests, Sally Herbert having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Pie Jesu | Andrew Lloyd Webber, Charlotte Jaconelli | G Major | 2 | 9B | 79 BPM | ||
Songs my mother taught me, Op. 55, No. 4 | Antonín Dvořák, Charlotte Church, Sian Edwards | D Major | 1 | 10B | 78 BPM | ||
Ave Maria | Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Minor | 0 | 4A | 79 BPM | ||
Cavalleria rusticana: Sancta Maria (After "Intermezzo" from Cavalleria rusticana) | Pietro Mascagni, Friar Alessandro, London Studio Orchestra, Sally Herbert, Coro, Mark Griffiths | F Major | 3 | 7B | 82 BPM | ||
Give Me My Song | Benny Andersson, Sissel, Bryn Terfel, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | B♭ Major | 1 | 6B | 70 BPM | ||
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Amazing Grace | Katherine Jenkins, The Prague Symphonia, Anthony Ingliss, Rudolfus Choir | C Major | 4 | 8B | 87 BPM | ||
Amazing Grace | All Angels | E♭ Major | 4 | 5B | 84 BPM | ||
Hallelujah | Katherine Jenkins | B♭ Major | 3 | 6B | 108 BPM | ||
Ave Maria: Arr. From Bach's Prelude No.1 BWV 846 | Charles Gounod, Plácido Domingo, Luisa Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | F Major | 3 | 7B | 154 BPM |