"Ave Maria" by Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon was released on January 1, 2014. Ave Maria is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Elina Garanca, Adolphe Adam, Charles Gounod, Georges Bizet, Giacomo Puccini, Giulio Caccini, Gregorio Allegri, Pēteris Vasks, Pietro Mascagni, Ugis Praulins, Vladimir Vavilov, William Gomez, Wolfgang Amadeus Mozart's "Meditation" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Ave Maria is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dans Cette Etable | Anonymous, Les Petits Chanteurs du Mont-Royal, Rachel Laurin | C Major | 1 | 8B | 132 BPM | ||
O Maria Vernans Rosa | Jacob Clemens non Papa, The Monteverdi Choir | C Major | 2 | 8B | 87 BPM | ||
Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM | ||
Ave Maria | Lesley Garrett, Ivor Bolton, Britten Sinfonia | C Major | 2 | 8B | 129 BPM | ||
Ave Maria (Arr. Julian Yu) | Vladimir Vavilov, Julian Yu, Giulio Caccini, Shu-Cheen Yu, Antony Walker, Sinfonia Australis | G Minor | 1 | 6A | 69 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Renata Tebaldi, New Philharmonia Orchestra, Anton Guadagno | B Major | 2 | 1B | 100 BPM | ||
Joy To The World | George Frideric Handel, John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | F♯ Major | 1 | 2B | 115 BPM | ||
Requiem, Op. 48: In Paradisum | Oxford Camerata, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Lisa Beckley, Gabriel Fauré | D Major | 0 | 10B | 83 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Sainte Nuit | Anonymous, Les Petits Chanteurs du Mont-Royal, Rachel Laurin | C Major | 0 | 8B | 137 BPM |
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