"Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt)" by Franz Liszt, Michael Korstick was released on May 27, 2010. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Michael Korstick's "Liszt: Annees de pelerinage I / Piano Sonata in B minor" album is number 2 out of 10. On top of that, Germany appears to be the country where this track was created. Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) by Franz Liszt, Michael Korstick to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Prélude | Maurice Ravel, André Laplante | D Minor | 0 | 7A | 66 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166: "Dumky", V. Allegro | Antonín Dvořák, Itzhak Perlman, Yo-Yo Ma, Rudolf Firkusny | E♭ Major | 1 | 5B | 160 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Roman Sketches, Op. 7: III. The Fountain of the Acqua Paola | Charles Griffes, Emanuele Torquati | A♭ Major | 1 | 4B | 70 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
Elégie, Op. 24 | Gabriel Fauré, Niall Brown, Isabelle Trüb | A♭ Major | 0 | 4B | 63 BPM | ||
Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin | Giovanni Umberto Battel | F♯ Major | 0 | 2B | 72 BPM |
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