John Ireland, Richard Hickox, City of London Sinfonia's ' "A Downland Suite (Arr. for String Orchestra): I. Prelude. Allegro energico" was released on its scheduled release date, June 1, 1995. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Ireland, Richard Hickox, City of London Sinfonia's "Ireland: A Downland Suite, Contertino Pastorale, Two Symphonic Studies & Orchestral Poem" album is number 1 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, A Downland Suite (Arr. for String Orchestra): I. Prelude. Allegro energico is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of A Downland Suite (Arr. for String Orchestra): I. Prelude. Allegro energico by John Ireland, Richard Hickox, City of London Sinfonia to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Lord, have mercy | USSR Ministry of Culture Chamber Choir, Valery Polyansky | B Major | 1 | 1B | 127 BPM | ||
St. Patrick's Breastplate "I Bind unto Myself Today" (Version for Choir & Organ) | Charles Villiers Stanford, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | G Minor | 2 | 6A | 72 BPM | ||
Cantique | Nadia Boulanger, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | B Major | 0 | 1B | 130 BPM | ||
Grace Before Sleep | Susan LaBarr, Georgia State University Singers, Deanna Joseph | D♭ Major | 1 | 3B | 129 BPM | ||
Set Me as a Seal | The Singers - Minnesota Choral Artists | D Major | 1 | 10B | 101 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) | Alfred Schnittke, Dale Warland Singers, Dale Warland | G Major | 0 | 9B | 76 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM |