Anton Bruckner, Wiebke Puls, Johannes Silberschneider's 'Bruckner's Welt: Kapitel 1: Kyrie' came out on May 3, 2024. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 27 in Bruckner: Mass in E minor & Motets & "BRUCKNER'S WORLD" - An introduction to the works by Anton Bruckner, Bavarian Radio Chorus, Munich Radio Orchestra, Peter Dijkstra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bruckner's Welt: Kapitel 1: Kyrie is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bruckner's Welt: Kapitel 1: Kyrie by Anton Bruckner, Wiebke Puls, Johannes Silberschneider is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1891 Vienna Version, Ed. G. Brosche): II. Adagio | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | C Minor | 1 | 5A | 131 BPM | ||
Requiem in D Minor, WAB 39: III. Domine Jesu Christe | Anton Bruckner, Matthew Best, Corydon Singers, English Chamber Orchestra, Joan Rodgers, Michael George | B Minor | 0 | 10A | 148 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Wir glauben all' an einen Gott, BWV 680 (arr. L. Stokowski): Clavierubung III: Wir glauben all' an einen Gott, BWV 680 (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | D Minor | 1 | 7A | 52 BPM |
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