John Adams, Alarm Will Sound, Alan Pierson made "Chamber Symphony: I. Mongrel Airs" available on April 21, 2017. Since Chamber Symphony: I. Mongrel Airs is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Splitting Adams". In this album, this song's track order is #2. Based on our statistics, Chamber Symphony: I. Mongrel Airs's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chamber Symphony: I. Mongrel Airs by John Adams, Alarm Will Sound, Alan Pierson having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan & Isolde: Tristans Vision | Richard Wagner, Edo de Waart | D♭ Minor | 0 | 12A | 71 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
Das Rheingold, WWV 86A, Scene 1: Prelude | Richard Wagner, Hallé, Sir Mark Elder | E♭ Major | 0 | 5B | 73 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Claude Debussy, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 78 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Contact: II. Codes. Scherzo | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | D Minor | 5 | 7A | 177 BPM |
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