War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood
Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra
Britten: War Requiem
6:10 May 1, 1963
BPM
90
Key
C Major
Camelot
8B

Embed

Share Link

War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood - Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra Information

Acousticness
96%
Danceability
23%
Energy
5%
Instrumentalness
4%
Liveness
10%
Loudness
56%
Speechiness
5%
Valence
8%
Popularity
Loudness
-26.511 dB

Summary

"War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood" by Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra was released on May 1, 1963. War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 13 out of 30 in Britten: War Requiem by Benjamin Britten, Galina Vishnevskaya, Sir Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra. In terms of popularity, War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood BPM

The tempo marking of War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood by Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) by Claude Debussy, Mstislav Rostropovich, Benjamin BrittenSonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)Claude Debussy, Mstislav Rostropovich, Benjamin BrittenF♯ Minor011A134 BPM
Requiem, Op. 48: III. Offertoire by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De FranceRequiem, Op. 48: III. OffertoireGabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De FranceD Major110B76 BPM
Suite pastorale: III. Sous-bois by Emmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerSuite pastorale: III. Sous-boisEmmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerG Major09B0 BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerKammermusik No. 1, Op.24 No.1: I. Sehr schnell und wildPaul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerB Major41B137 BPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerConcerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccatoGeorg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerF♯ Major02B110 BPM
Locus iste, WAB 23 by Anton Bruckner, Collegium Vocale Gent, Philippe HerrewegheLocus iste, WAB 23Anton Bruckner, Collegium Vocale Gent, Philippe HerrewegheC Major08B66 BPM
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante sempliceGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsB♭ Major06B78 BPM
Oboe Concerto in A Minor: I. Rondo Pastorale by Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillanOboe Concerto in A Minor: I. Rondo PastoraleRalph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillanE♭ Major15B142 BPM
Prokofiev: Symphony No. 1 in D Major, Op. 25, Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. LarghettoSergei Prokofiev, André Previn, London Symphony OrchestraA Major011B104 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.778444766998291

End: 0.783313512802124