"War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood" by Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra was released on May 1, 1963. War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 13 out of 30 in Britten: War Requiem by Benjamin Britten, Galina Vishnevskaya, Sir Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra. In terms of popularity, War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood by Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | F♯ Minor | 0 | 11A | 134 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
Oboe Concerto in A Minor: I. Rondo Pastorale | Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan | E♭ Major | 1 | 5B | 142 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM |
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