On April 10, 2020, the song "Alcide, tragédie: Marche pour les Pastres" was released by Marin Marais, Il Suonar Parlante Orchestra, Vittorio Ghielmi. With Alcide, tragédie: Marche pour les Pastres being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Luca Pianca, Il Suonar Parlante Orchestra, Vittorio Ghielmi's "Le secret de Monsieur Marais" album is number 20 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Alcide, tragédie: Marche pour les Pastres is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Alcide, tragédie: Marche pour les Pastres by Marin Marais, Il Suonar Parlante Orchestra, Vittorio Ghielmi to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | D♭ Major | 1 | 3B | 171 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM |
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