"Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano)" by The Singers - Minnesota Choral Artists was released on December 1, 2010. The duration of Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) is about 3 minutes long, at 3:22. Based on our data, "Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Singers - Minnesota Choral Artists's "Lauridsen: Mid-Winter Songs" album is number 18 out of 21. Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) by The Singers - Minnesota Choral Artists to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
O Come, Let Us Sing Unto The Lord | The Singers - Minnesota Choral Artists | E♭ Major | 1 | 5B | 139 BPM | ||
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
O salutaris hostia | Ēriks Ešenvalds, South Dakota Chorale, Brian A. Schmidt | D Major | 1 | 10B | 65 BPM | ||
Three Whitman Settings: 1. A Noiseless Patient Spider | The Singers - Minnesota Choral Artists | A Major | 1 | 11B | 131 BPM | ||
Agnus Dei | Samuel Barber, Conspirare, Craig Hella Johnson | B♭ Minor | 1 | 3A | 127 BPM | ||
Spes | Mia Makaroff, Nils-Aslak Valkeapää, Cantus, Tove Ramlo-Ystad | G Major | 1 | 9B | 78 BPM | ||
7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM |
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