"Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns)" by Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. The duration of Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #10 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns) by Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods): Prologue: Treu berat'ner Vertrage Runen schnitt Wotan (3 Norns) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Le Nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs | D Major | 1 | 10B | 142 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Don Giovanni, K. 527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Josef Krips, Wiener Philharmoniker, Vienna State Opera Chorus, Cesare Siepi, Fernando Corena, Kurt Böhme, Suzanne Danco, Kurt Boehme, Anton Dermota, Lisa della Casa, Hilde Gueden, Walter Berry | B♭ Major | 3 | 6B | 80 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM |
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