"Faust: Chanson du Roy de Thulé… Il était un Roi de Thulé... Ah! Je ris de me voir si belle" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza was released on April 18, 2017. Faust: Chanson du Roy de Thulé… Il était un Roi de Thulé... Ah! Je ris de me voir si belle appears to be safe for all ages as it is not explicit. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Faust: Chanson du Roy de Thulé… Il était un Roi de Thulé... Ah! Je ris de me voir si belle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust: Chanson du Roy de Thulé… Il était un Roi de Thulé... Ah! Je ris de me voir si belle by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Adagio for Strings and Organ | Orchestra Italiana, Giovanni Cazzani, Francesco Digilio | C Minor | 2 | 5A | 61 BPM | ||
Gianni Schicchi: "Oh! mio babbino caro" | Giacomo Puccini, Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | A♭ Major | 2 | 4B | 178 BPM | ||
Tosca: Vissi d'arte | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone | E♭ Major | 2 | 5B | 139 BPM | ||
Thomas's Egmont for Harley, Hubcaps and Orchestra | Hollywood Studio Orchestra | F Minor | 4 | 4A | 178 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM |
Section: 0.6304702758789062
End: 0.6363093852996826