"Tosca: Vissi d'arte" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone was released on May 15, 2012. The duration of Tosca: Vissi d'arte is about 3 minutes long, at 3:20. Based on our data, "Tosca: Vissi d'arte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #25. Based on our statistics, Tosca: Vissi d'arte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca: Vissi d'arte by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | D♭ Major | 2 | 3B | 80 BPM | ||
Danza Russa | Orchestra Italiana | G Major | 3 | 9B | 76 BPM | ||
Tosca, Act III: E lucevan le stelle | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Parma Teatro Regio Orchestra | B Minor | 1 | 10A | 79 BPM | ||
Romeo and Juliet, Op. 64: Act I: Dance of the Knights | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella | Franz Liszt, François-René Duchâble | B Minor | 1 | 10A | 85 BPM | ||
King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Split, Postcards from Far Away - Re-Recorded Version | Ezio Bosso | E Minor | 2 | 9A | 65 BPM | ||
Hungarian Rhapsody No. 2 in C sharp minor, S.244 | David Helfgott | D♭ Major | 3 | 3B | 102 BPM |
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