"Alcidiane" by Jean-Baptiste Lully, La Risonanza, Fabio Bonizzoni was released on August 24, 2009. The duration of Alcidiane is about 3 minutes long, at 3:22. Based on our data, "Alcidiane" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully, Fabio Bonizzoni's "Lully: Ballets & recits italiens" album is number 3 out of 13. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Alcidiane is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane by Jean-Baptiste Lully, La Risonanza, Fabio Bonizzoni to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Armide, LWV 71, Prologue: Que dans le temple de mémoire | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Isis, LWV 54: Act IV, Voyages et métamorphoses: Tôt tôt tôt… | Jean-Baptiste Lully, Marc Mauillon, Edwin Crossley-Mercer, Les Pages et les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes du Centre de Musique Baroque de Versailles, Musica Florea, Olivier Schneebeli | F♯ Minor | 1 | 11A | 81 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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