"Turandot / Act 3: "Principessa di morte!"" by Giacomo Puccini, Luciano Pavarotti, Dame Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta had its release date on January 1, 1973. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Puccini: Turandot (Highlights)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of Turandot / Act 3: "Principessa di morte!" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: "Principessa di morte!" by Giacomo Puccini, Luciano Pavarotti, Dame Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeur | Georges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 130 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Madama Butterfly / Act 1: L'Imperial Commissario | Giacomo Puccini, José Carreras, Anthony Laciura, Mirella Freni, Noriko Sasaki, Hitomi Katagiri, Petteri Salomaa, Judith Howarth, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus, John McCarthy | F Major | 3 | 7B | 121 BPM | ||
Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) | Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 86 BPM | ||
La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM | ||
William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Puccini: La rondine, Act 2: "Dio!… Lei! … Chi?" (Lisette, Prunier, Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM |