Philippe Jaroussky made "Porpora: Siface, Act 1: "Tu che d'ardire m'accendi" (Erminio)" available on October 29, 2012. The duration of Porpora: Siface, Act 1: "Tu che d'ardire m'accendi" (Erminio) is about 3 minutes long, at 3:24. Based on our data, "Porpora: Siface, Act 1: "Tu che d'ardire m'accendi" (Erminio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #6. Based on our statistics, Porpora: Siface, Act 1: "Tu che d'ardire m'accendi" (Erminio)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Porpora: Siface, Act 1: "Tu che d'ardire m'accendi" (Erminio) by Philippe Jaroussky having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JC: Lamento: Ach, dass ich Wassers g'nug hätte | Johann Christoph Bach, Christina Pluhar, Philippe Jaroussky, L'Arpeggiata | E Minor | 1 | 9A | 81 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Bach, JC: Carattaco, T. 221: "Fra l'orrore di tanto spavento" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 136 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Maddalena ai piedi di Cristo: No. 47 Aria Maddalena, "Per il mar del pianto mio" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis | B Minor | 0 | 10A | 128 BPM | ||
Polifemo: Nell' attendere mio bene (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Major | 4 | 11B | 128 BPM | ||
Marcello: Chiaro e limpido fonte: "Dunque voi cristalli erranti" | Benedetto Marcello, Philippe Jaroussky, William Christie | D♭ Minor | 1 | 12A | 91 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 80 BPM | ||
Marcello: Chiaro e limpido fonte: "Mirtillo, a che si cerca" | Benedetto Marcello, Philippe Jaroussky, William Christie | F♯ Minor | 1 | 11A | 113 BPM |
Section: 0.5991158485412598
End: 0.6082708835601807