"Tirant lo Blanc (Version for Symphonic Band): I. Casament del rei d'Anglaterra (The King of England's Wedding)" by Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons was released on January 13, 2017. The duration of Tirant lo Blanc (Version for Symphonic Band): I. Casament del rei d'Anglaterra (The King of England's Wedding) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Tirant lo Blanc (Version for Symphonic Band): I. Casament del rei d'Anglaterra (The King of England's Wedding)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 9 in Catalan Wind Music by Banda Municipal De Barcelona, Salvador Brotons. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Tirant lo Blanc (Version for Symphonic Band): I. Casament del rei d'Anglaterra (The King of England's Wedding) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tirant lo Blanc (Version for Symphonic Band): I. Casament del rei d'Anglaterra (The King of England's Wedding) by Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karen | Ernest Gold (conductor) | D Major | 3 | 10B | 130 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Overture - The 10 Commandments | Elmer Bernstein | A Minor | 2 | 8A | 109 BPM | ||
She (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Odeon-Quadrille, Op. 29 | Johann Strauss II, Balearic Symphony Orchestra, Salvador Brotons, Joan Lluís Moraleda | C Major | 2 | 8B | 81 BPM | ||
Lontano dal tuo cuore | Alan Duane Griffith II, Changing the Design | F Major | 3 | 7B | 114 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Harmonic Flourish | Lorena Velic | E♭ Major | 1 | 5B | 183 BPM | ||
Descenso Celestial | Senderos Del Destino | F♯ Minor | 2 | 11A | 130 BPM | ||
The Marines' Hymn (c.1942 - historic recording) | US Marine Band, William F. Santelmann, Jacques Offenbach | F Major | 3 | 7B | 121 BPM |
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