Johann Strauss II, Balearic Symphony Orchestra, Salvador Brotons, Joan Lluís Moraleda made "Odeon-Quadrille, Op. 29" available on 1999. The duration of Odeon-Quadrille, Op. 29 is about 3 minutes long, at 3:01. Based on our data, "Odeon-Quadrille, Op. 29" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Balearic Symphony Orchestra, Salvador Brotons's "Musica para el Deporte" album is number 5 out of 10. On top of that, Spain appears to be the country where this track was created. Odeon-Quadrille, Op. 29 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Odeon-Quadrille, Op. 29 by Johann Strauss II, Balearic Symphony Orchestra, Salvador Brotons, Joan Lluís Moraleda to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
Außer Rand und Band, Polka schnell, Op. 168 | Eduard Strauss, Mariss Jansons, Wiener Philharmoniker | D Major | 7 | 10B | 161 BPM | ||
Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Rigoletto / Act 3: La donna è mobile | Giuseppe Verdi, Joseph Calleja, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 3 | 2B | 76 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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