Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh made "Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: III. Bicycle Music" available on January 6, 2015. The duration of Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: III. Bicycle Music is about 3 minutes long, at 3:06. Based on our data, "Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: III. Bicycle Music" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh's "Ge Gan-Ru: Shanghai Reminiscences & Butterfly Overture" album is number 3 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: III. Bicycle Music is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Shanghai Reminiscences, Pt. I, My Childhood: Part I: My Childhood: III. Bicycle Music by Gan-Ru Ge, Royal Scottish National Orchestra, Tsung Yeh to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trittico botticelliano, P. 151: I. La Primavera: Allegro vivace | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 2 | 7B | 70 BPM | ||
Shanghai Reminiscences, Pt. II, Cultural Revolution, Awakening: Part II: Cultural Revolution - Awakening: VI. Awakening | Gan-Ru Ge, Maya Iwabuchi, Royal Scottish National Orchestra, Tsung Yeh | C Major | 4 | 8B | 140 BPM | ||
Willow Bend | Andrew Schultz, Adelaide Symphony Orchestra, Ron Spigelman | A Minor | 0 | 8A | 74 BPM | ||
Miklos Rozsa: Hungarian Serenade - V. Danza - HD | Miklós Rózsa, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | D Major | 2 | 10B | 97 BPM | ||
HFDSTI | KNOXVILLETRACKZ | D Major | 0 | 10B | 82 BPM | ||
Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
Die 1. Fassung | Lorenz Dangel | C Major | 0 | 8B | 75 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM |
Section: 0.8055591583251953
End: 0.8105323314666748