The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp) - Pyotr Ilyich Tchaikovsky, Janos Balint, Deborah Sipkai Information

Acousticness: 97%
Danceability: 24%
Energy: 6%
Instrumentalness: 92%
Liveness: 9%
Loudness: 60%
Speechiness: 5%
Valence: 4%
Popularity: 2%
Loudness: -23.989 dB

Summary

"The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp)" by Pyotr Ilyich Tchaikovsky, Janos Balint, Deborah Sipkai was released on January 1, 1998. With The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp) BPM

The tempo marking of The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp) by Pyotr Ilyich Tchaikovsky, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

The Sleeping Beauty, Op. 66, Act I: Waltz (arr. for flute and harp) Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia"	Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra	C Major	2	8B	154 BPM
Symphony No. 40 in G Minor, K. 550: I. Allegro molto	Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth	G Minor	2	6A	109 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	0	8B	132 BPM
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2	Frédéric Chopin, Daniel Barenboim	E♭ Major	0	5B	79 BPM
Abdelazer: Rondeau	Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner	B Minor	1	10A	66 BPM
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade"	Eugène Ysaÿe, Maxim Vengerov	G Minor	1	6A	141 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	E Minor	0	9A	136 BPM
Raymonda, Op. 57: Act III - Variation IV	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D Minor	0	7A	90 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM

ISRC: US2TL0917907
Label: L-M Records/RCA Records

Section: 0.7694101333618164

End: 0.7747592926025391