Nicol Matt, Jörg Halobek, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Jens Wollenschläger, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir's 'Herr Gott, Dich Loben Wir, Cantate Bwv 119' came out on March 28, 2007. With Herr Gott, Dich Loben Wir, Cantate Bwv 119 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Herr Gott, Dich Loben Wir, Cantate Bwv 119 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herr Gott, Dich Loben Wir, Cantate Bwv 119 by Nicol Matt, Jörg Halobek, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Jens Wollenschläger, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Israel in Egypt, HWV 54: Part II, The Exodus: But the waters overwhelmed their enemies (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM | ||
Stabat mater | Giovanni Pierluigi da Palestrina, Chamber Choir Of Europe, Nicol Matt | F♯ Major | 1 | 2B | 73 BPM | ||
Ah Holy Jesu | Andrey Jackson | D Major | 1 | 10B | 138 BPM | ||
Dies irae, LWV 64/1: Liber scriptus proferetur | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | E Major | 4 | 12B | 120 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Concerto in F Major for Two Oboes and Strings, Op. 9 No. 3: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | F Major | 3 | 7B | 109 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM |
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