Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende) - Gidon Kremer, Alois Posch, Horacio Ferrer, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov Information

Gidon Kremer, Alois Posch, Horacio Ferrer, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov's 'Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende)' came out on February 16, 1998. With this song being about 5 minutes long, at 5:05, "Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende)" by Gidon Kremer, Alois Posch, Horacio Ferrer, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #8. In terms of popularity, Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende) BPM

With Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende) by Gidon Kremer, Alois Posch, Horacio Ferrer, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Piazzolla: María de Buenos Aires, Part 1, Scene 7: Toccata rea (El duende) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.