"Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia)" by Jordi Savall was released on January 1, 2001. With Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 76 in Alfons V El Magnànim: El Cancionero De Montecassino by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia) by Jordi Savall is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 64 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: VII. Gigue | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 100 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau | Georg Philipp Telemann, Jordi Savall | B♭ Minor | 4 | 3A | 128 BPM | ||
Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM | ||
Jácaras por la E | Santiago De Murcia, Andrew Lawrence-King, Paul O'Dette, Pedro Estevan, Pat O'Brien, Steve PLAYER | D Minor | 1 | 7A | 97 BPM | ||
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt" | Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations | E Major | 2 | 12B | 66 BPM | ||
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: In holder Anmut stehn’n mit jungem (Gabriel, Uriel, Raphael) | Franz Joseph Haydn, Jordi Savall, Le Concert Des Nations | A Major | 1 | 11B | 80 BPM |
Section: 0.5965938568115234
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