"Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt"" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations was released on September 3, 2021. With Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt" being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 88 in the song's album "Passion - Officivm Hebdomadæ Sanctæ". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Switzerland. Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri (Anónimo / Dufay / Himno De Vísperas) | Jordi Savall | D♭ Major | 3 | 3B | 114 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM |
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