Raise, raise the voice, Z. 334 - Henry Purcell, Jeni Bern, Susan Bisatt, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton Information

Acousticness: 95%
Danceability: 24%
Energy: 3%
Instrumentalness: 5%
Liveness: 6%
Loudness: 55%
Speechiness: 5%
Valence: 13%
Popularity: 1%
Loudness: -26.844 dB

Summary

"Raise, raise the voice, Z. 334" by Henry Purcell, Jeni Bern, Susan Bisatt, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton had its release date on February 21, 1996. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Purcell, H.: Ode for St. Cecilia's Day / Te Deum". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Raise, raise the voice, Z. 334 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Raise, raise the voice, Z. 334 BPM

With Raise, raise the voice, Z. 334 by Henry Purcell, Jeni Bern, Susan Bisatt, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Raise, raise the voice, Z. 334 Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Indian Queen, Z. 630, Act II: Symphony	Henry Purcell, The Sixteen, Harry Christophers	B Major	1	1B	96 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia	Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner	F♯ Minor	1	11A	94 BPM
Gavotte - Arr. for Cello and Piano	Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov	D Minor	0	7A	85 BPM
The Indian Queen, Z. 630 : Act II - The Masque Of Fame And Envy: Symphony	The Scholars Baroque Ensemble, John Dryden, Henry Purcell	B Major	1	1B	112 BPM
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax	Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	E♭ Major	1	5B	99 BPM
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"	Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard	C Minor	0	5A	101 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	E Major	0	12B	140 BPM

ISRC: HKI199505003
Label: L-M Records/RCA Records