"12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny)" by Claude Debussy, Maurizio Pollini was released on January 1, 1993. The duration of 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 13 in Debussy: 12 Etudes pour le piano by Claude Debussy, Maurizio Pollini, Alban Berg. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) by Claude Debussy, Maurizio Pollini is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Lyric Pieces, Op. 57: VI. Hjemveop - Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 131 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM |
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