"Andrea Chénier (1994 Digital Remaster), ATTO SECONDO: Udite! Son sola! Ora soave, sublime ora d'amore! (Maddalena/Chénier)" by Umberto Giordano, Antonietta Stella, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini was released on September 5, 1994. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma's "Giordano: Andrea Chénier" album is number 24 out of 44. In terms of popularity, Andrea Chénier (1994 Digital Remaster), ATTO SECONDO: Udite! Son sola! Ora soave, sublime ora d'amore! (Maddalena/Chénier) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier (1994 Digital Remaster), ATTO SECONDO: Udite! Son sola! Ora soave, sublime ora d'amore! (Maddalena/Chénier) by Umberto Giordano, Antonietta Stella, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Ehi, Fiorello? | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 4 | 7B | 140 BPM | ||
Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM | ||
Soli soli nella notte | Leo Nucci, Salotto Ottocento Ensemble | F Major | 3 | 7B | 64 BPM | ||
Fedora / Act 2: Vedi, io piango | Umberto Giordano, Mario del Monaco, Magda Olivero, Monte-Carlo Philharmonic Orchestra, Lamberto Gardelli | E♭ Major | 3 | 5B | 137 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM |
Section: 0.7909989356994629
End: 0.7959587574005127