Cesare Negri, Atrium Musicae de Madrid, Gregorio Paniagua's 'Spagnoletto - Villanicco di Spagna - Pavaniglia di Spagna - Spagnoletto da capo' came out on January 28, 1986. The duration of Spagnoletto - Villanicco di Spagna - Pavaniglia di Spagna - Spagnoletto da capo is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Spagnoletto - Villanicco di Spagna - Pavaniglia di Spagna - Spagnoletto da capo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 18 out of 32. Based on our statistics, Spagnoletto - Villanicco di Spagna - Pavaniglia di Spagna - Spagnoletto da capo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Spagnoletto - Villanicco di Spagna - Pavaniglia di Spagna - Spagnoletto da capo by Cesare Negri, Atrium Musicae de Madrid, Gregorio Paniagua to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saltarello I & II | Giacomo Gorzanis, Marc Lewon | B♭ Major | 0 | 6B | 99 BPM | ||
Quella bella e biancha mano | Antonio Caprioli, Shirley Rumsey | D Major | 0 | 10B | 72 BPM | ||
Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
Tousjours | Ensemble Project Ars Nova | G Major | 0 | 9B | 74 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Fronimo: Ricercare del primo tuono | Vincenzo Galilei, Andrea Damiani | C Major | 2 | 8B | 129 BPM | ||
Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
L'Amor Donna, Ch'Io Te Porto (Anonymous) | Syntagma Musicum | B♭ Major | 1 | 6B | 119 BPM |
Section: 0.6269237995147705
End: 0.6308591365814209