"El sombrero de 3 picos (The 3-Cornered Hat), Part II: The Miller's Dance (arr. N. Kraft): Dance of the Miller" by Norbert Kraft, Manuel de Falla was released on June 23, 1997. The duration of El sombrero de 3 picos (The 3-Cornered Hat), Part II: The Miller's Dance (arr. N. Kraft): Dance of the Miller is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. El sombrero de 3 picos (The 3-Cornered Hat), Part II: The Miller's Dance (arr. N. Kraft): Dance of the Miller's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Norbert Kraft's "Guitar Favorites" album is number 14 out of 19. In terms of popularity, El sombrero de 3 picos (The 3-Cornered Hat), Part II: The Miller's Dance (arr. N. Kraft): Dance of the Miller is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of El sombrero de 3 picos (The 3-Cornered Hat), Part II: The Miller's Dance (arr. N. Kraft): Dance of the Miller by Norbert Kraft, Manuel de Falla to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio | Manuel Ponce, Vicente Coves | A Major | 1 | 11B | 119 BPM | ||
Hymettus (Arr. O. Kalampalikis for Guitar) | Manos Hadjidakis, Elena Papandreou | E Minor | 1 | 9A | 89 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | C Major | 1 | 8B | 106 BPM | ||
25 Etudes, Op. 38: No. 6 in A Major: Andantino | Napoléon Coste, Jeffrey McFadden | D Major | 1 | 10B | 119 BPM | ||
Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Minor | 2 | 7A | 111 BPM | ||
Estudio Capricho | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 97 BPM | ||
Le départ, Op. 31: I. Introduction. Andante largo | Napoléon Coste, An Tran | E Major | 1 | 12B | 61 BPM | ||
De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM |
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