"Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum" by Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra was released on February 26, 1998. With Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 12 in Bizet- Breiner: Carmen Concerto / Granados: Valses Poeticos by Peter Breiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum by Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isolde's Liebestod | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | A♭ Major | 1 | 4B | 129 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Adagio in G Minor for Organ and Strings (Transcr. for two guitars by A. Lagoya) | Tomaso Albinoni, Remo Giazotto, Alexandre Lagoya, Ida Presti | D♭ Minor | 0 | 12A | 79 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Symphony No. 2 in C Minor, Op. 17, "Little Russian": IV. Finale: Moderato asssi - Presto | Pyotr Ilyich Tchaikovsky, Polish National Radio Symphony Orchestra, Adrian Leaper | F Major | 3 | 7B | 137 BPM | ||
De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
Vivaldi: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Christopher Parkening, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 171 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM |
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