"Stabat mater: VI. Now My Life Is Only Weeping" by Karl Jenkins, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins was released on 2007. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Stabat Mater". In this album, this song's track order is #6. Based on our statistics, Stabat mater: VI. Now My Life Is Only Weeping's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat mater: VI. Now My Life Is Only Weeping by Karl Jenkins, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Church's One Foundation | Samuel Sebastian Wesley, Liverpool Cathedral Choir, Ian Tracey, David Poulter | E♭ Major | 2 | 5B | 140 BPM | ||
Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 134 BPM | ||
Rinaldo, HWV 7: "Lascia ch'io pianga" | Yvonne Kenny | E Major | 1 | 12B | 170 BPM | ||
Them there eyes | Carl Taubert, Ian Tracey, Maceo Pinkard, Stéphane Grappelli | G Major | 5 | 9B | 151 BPM | ||
Cantique De Jean Racine | Monks And Choir Boys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
École d'orgue, Pt. 2: No. 27, Fanfare | Jacques-Nicolas Lemmens, Gerard Brooks | F Major | 2 | 7B | 85 BPM | ||
Aida: Grand March (Arr. I. Wells for Organ) | Giuseppe Verdi, Ian Tracey | D Major | 2 | 10B | 67 BPM | ||
Beyond The Century | Karl Jenkins, Adiemus, Miriam Stockley, London Philharmonic Orchestra, Jody K. Jenkins | C Major | 4 | 8B | 80 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM |
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