"The Last Rose of Summer" by Geoffrey Parsons, Sarah Brightman was released on August 11, 2017. The Last Rose of Summer is explicit and may not be suitable for children. With the duration being about 4:28, this song is close to the average duration of a typical track. The song is number 11 out of 21 in Classical Pop Covers by Various Artists. Based on our statistics, The Last Rose of Summer's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Last Rose of Summer by Geoffrey Parsons, Sarah Brightman is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Ch'io mi scordi di te... Non temer, amato bene", K.505 | Wolfgang Amadeus Mozart, Teresa Berganza, Geoffrey Parsons, London Symphony Orchestra, Sir John Pritchard | G Major | 2 | 9B | 105 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Puisque j'ai mis ma lèvre, Op. Posth. | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Sechs Lieder, Op. 86: 1. Therese | Johannes Brahms, Jessye Norman, Geoffrey Parsons | F Major | 0 | 7B | 102 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
La vie antérieure | Henri Duparc, Jessye Norman, Dalton Baldwin | E♭ Major | 1 | 5B | 99 BPM | ||
Sieben frühe Lieder: Die Nachtigall | Alban Berg, Jessye Norman, Geoffrey Parsons | G Major | 0 | 9B | 90 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Songs for Voice and Piano: La seduzione | Giuseppe Verdi, Margaret Price, Geoffrey Parsons | B Major | 0 | 1B | 74 BPM |
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