"Carmina Burana / 3. Cour d'amours: "Dulcissime"" by Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With Carmina Burana / 3. Cour d'amours: "Dulcissime" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #23. Carmina Burana / 3. Cour d'amours: "Dulcissime" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 3. Cour d'amours: "Dulcissime" by Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM | ||
Carmen, Act I: Habanera. L'amour est un oiseau rebelle | Georges Bizet, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni | D Major | 1 | 10B | 124 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Carmina Burana / Uf dem Anger: "Reie" - "Swaz hie gat umbe" - "Chume, chum geselle min" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | C Major | 0 | 8B | 128 BPM | ||
Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM |
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