Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio - Johann Sebastian Bach, Ton Koopman Information

Acousticness: 81%
Danceability: 31%
Energy: 34%
Instrumentalness: 0%
Liveness: 24%
Loudness: 73%
Speechiness: 4%
Valence: 58%
Popularity: 6%
Loudness: -16.308 dB

Summary

Johann Sebastian Bach, Ton Koopman's ' "Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio" was released on its scheduled release date, March 17, 2017. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Ton Koopman's "J.S. Bach: Orgel- und Cembalowerke, Kammermusik, Motetten" album is number 1 out of 153. On top of that, Germany appears to be the country where this track was created. The popularity of Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio BPM

We consider the tempo marking of Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio by Johann Sebastian Bach, Ton Koopman to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Toccata And Fugue In D Minor, BWV 565: (Toccata) Adagio Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Deuxieme livre, Suite en Mi: X. Tambourin	Jean-Philippe Rameau, Alexander Paley	A Major	1	11B	130 BPM
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum	Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon	G Major	4	9B	92 BPM
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725)	Christian Petzold, Daniil Trifonov	G Minor	2	6A	117 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Du bist die Ruh, Op. 59/3, D. 776	Franz Schubert, Mischa Maisky, Daria Hovora	E♭ Major	0	5B	67 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos)	Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson	C Major	2	8B	91 BPM
Solfeggio in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Matthias Veit	F Minor	1	4A	77 BPM

ISRC: DEF058300331
Label: L-M Records/RCA Records