Joan Ambrosio Dalza, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI made "Pavana alla Ferrarese - Joan Ambrosio Dalza" available on February 8, 2010. The duration of Pavana alla Ferrarese - Joan Ambrosio Dalza is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Pavana alla Ferrarese - Joan Ambrosio Dalza's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 64 in the song's album "The Borgia Dynasty". In this album, this song's track order is #4. Based on our statistics, Pavana alla Ferrarese - Joan Ambrosio Dalza's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pavana alla Ferrarese - Joan Ambrosio Dalza by Joan Ambrosio Dalza, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda | Esaias Reusner, Paul Beier | D Major | 0 | 10B | 94 BPM | ||
Fantasia [Castelfranco Manuscript] | Francesco da Milano, Paul O'Dette | G Minor | 0 | 6A | 117 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Calata | Ed Durbrow, Joan Ambrosio Dalza | B Major | 2 | 1B | 142 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM |
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