Ed Durbrow, Joan Ambrosio Dalza made "Calata" available on April 24, 2020. With Calata being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Renaissance Lute". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Calata's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Calata by Ed Durbrow, Joan Ambrosio Dalza having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gerle : Newsidler : Scaramella | Heringman | D Major | 1 | 10B | 88 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Suite No. 11 en si mineur: Prélude | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 108 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM | ||
Las morillas de Jaén | Jacques Burtin | F Major | 1 | 7B | 125 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
Saramella (Cromwell Is Happy) | Claire van Kampen | E Minor | 2 | 9A | 126 BPM | ||
Puisk'il m'estuet | Thibaut de Champagne, La Camerata de Paris | E Minor | 0 | 9A | 138 BPM |
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