Gioachino Rossini, Maria Callas, Franco Calabrese, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 1: "Come! Sì grave scorno soffrir potete in pace?" (Fiorilla, Selim, Geronio, Narciso)" available on 1955. The duration of Rossini: Il turco in Italia, Act 1: "Come! Sì grave scorno soffrir potete in pace?" (Fiorilla, Selim, Geronio, Narciso) is about 3 minutes long, at 3:16. Based on our data, "Rossini: Il turco in Italia, Act 1: "Come! Sì grave scorno soffrir potete in pace?" (Fiorilla, Selim, Geronio, Narciso)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 1: "Come! Sì grave scorno soffrir potete in pace?" (Fiorilla, Selim, Geronio, Narciso)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rossini: Il turco in Italia, Act 1: "Come! Sì grave scorno soffrir potete in pace?" (Fiorilla, Selim, Geronio, Narciso) by Gioachino Rossini, Maria Callas, Franco Calabrese, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
La Vestale: Ô des infortunés | Gaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di Palermo | B♭ Major | 2 | 6B | 87 BPM | ||
Rossini: Il turco in Italia, Act 1: "Perche mai se son tradito" (Narciso) | Gioachino Rossini, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 139 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Rigoletto / Act 3: V'ho ingannato | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 87 BPM | ||
Puccini : Messa di Gloria : I Kyrie | Giacomo Puccini, Claudio Scimone, Philharmonia Orchestra | A♭ Major | 1 | 4B | 123 BPM | ||
Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Lakmé / Act 1: Prendre le dessin d'un bijou... Fantaisie aux divins | Léo Delibes, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 89 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM |
Section: 0.8433215618133545
End: 0.848642110824585