"Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie was released on September 21, 2009. Since Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Bruch & Brahms: Violin Concertos by Sarah Chang, Kurt Masur, Dresdner Philharmonie. In terms of popularity, Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Kurt Masur | D Major | 1 | 10B | 98 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Bach: Orchestral Suite No. 3 in D Major, BWV 1068: Air (Arr. for Violin and Orchestra) | Johann Sebastian Bach, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | D Major | 3 | 10B | 129 BPM | ||
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Elisabeth Leonskaja, Kurt Masur, New York Philharmonic | E Major | 0 | 12B | 129 BPM | ||
Vivaldi: Violin Concerto in G Minor, Op. 12 No. 1, RV 317: II. Largo | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Symphony No. 3 in E Major, Op. 51: V. Finale: Allegro ma non troppo | Max Bruch, Hungarian State Symphony Orchestra, Manfred Honeck | C Major | 1 | 8B | 138 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |
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