"Agrippina (Act 1): L'alma mia fra le tempeste" by George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle was released on October 22, 2021. The duration of Agrippina (Act 1): L'alma mia fra le tempeste is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Agrippina (Act 1): L'alma mia fra le tempeste's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 4 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Agrippina (Act 1): L'alma mia fra le tempeste is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Agrippina (Act 1): L'alma mia fra le tempeste by George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Gli Orazi e i Curiazi / Act 3: Resta in pace, idolo mio | Domenico Cimarosa, Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM | ||
Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda) | Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia) | Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre | C Major | 2 | 8B | 128 BPM | ||
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mio ben" (Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | D Minor | 1 | 7A | 119 BPM | ||
Les Troqueurs, Scène 4 - 5: Air "Ah! qu'il me tarde de te voir" (Margot) - "Va, va, j'épouserais morbleu..." (Lucas) | Antoine Dauvergne, Cappella Coloniensis, Jean-Marc Salzmann, Mary Saint-Palais, William Christie | E Minor | 2 | 9A | 71 BPM | ||
Due pupille amabile, K. 439 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | C Major | 2 | 8B | 73 BPM | ||
Concerto grosso in C Minor, Op. 6, No. 8 HWV 326: IV. Adagio | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Alessandro nell'Indie: Quanto invidio la sorte… Chi vive amante | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 3 | 2B | 117 BPM |
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