Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel made "L'orfeo: Se desti pietà" available on February 2, 2024. The duration of L'orfeo: Se desti pietà is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. L'orfeo: Se desti pietà's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #21 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, L'orfeo: Se desti pietà's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since L'orfeo: Se desti pietà by Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L'orfeo: Se desti pietà being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Concerto in A Minor, RV 419: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
The Firebird Suite, K010, (1945 Version): IX. The Princesses’ Khorovod | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B Major | 0 | 1B | 78 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Abendserenade | Valentin Silvestrov, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Suite Italienne: III. aria - Arr. for Cello and Piano | Igor Stravinsky, Anastasia Kobekina, Paloma Kouider | C Major | 2 | 8B | 77 BPM | ||
Stabat Mater: XIII. Quando corpus morietur | Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Kammerorchester Basel, Zürcher Sing-Akademie | D Major | 1 | 10B | 65 BPM | ||
A Winter Interlude (After Schubert) | Franz Schubert, Lavinia Meijer | F♯ Minor | 0 | 11A | 68 BPM | ||
Symphony No. 19 in D Major, Hob.I:19: II. Andante | Franz Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | D Minor | 0 | 7A | 163 BPM | ||
Pleyel: Flute Concerto in C Major, B. 106: I. Allegro | Ignaz Pleyel, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | C Major | 1 | 8B | 132 BPM |
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