Valentin Silvestrov, Anastasia Kobekina made "Abendserenade" available on February 2, 2024. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #3 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Abendserenade's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Abendserenade by Valentin Silvestrov, Anastasia Kobekina has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Abendserenade being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
The music key of this track is F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Pian Perduto | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 69 BPM | ||
Thème de l’absence (From "Joyeux Noël") | Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | ||
Cage: All Sides of the Small Stone, for Erik Satie | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | E♭ Major | 0 | 5B | 89 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
The Wolf and the Seven Young Goats: IV. Big Bad Wolf | Alexander Litvinovsky, Pavel Lyubomudrov, Metamorphose String Orchestra, Alexey Lundin, Halidon | A Major | 1 | 11B | 87 BPM | ||
Melodies of the Moments - Cycle III: II. Barcarole | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Cello Concerto in D Minor, RV 405: II. Adagio | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM |
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