Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph
City Of Birmingham Symphony Orchestra, Sir Mark Elder
Shostakovich: Hamlet & King Lear
3:08 June 28, 2005
BPM
107
Key
G Major
Camelot
9B

Embed

Share Link

Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information

Acousticness
95%
Danceability
41%
Energy
1%
Instrumentalness
45%
Liveness
18%
Loudness
61%
Speechiness
5%
Valence
21%
Popularity
Loudness
-23.234 dB

Summary

City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph' came out on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph is about 3 minutes long, at 3:08. Based on our data, "Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #1. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph BPM

With Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto In D Major, Op. 35: I. Moderato nobile by Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André PrevinViolin Concerto In D Major, Op. 35: I. Moderato nobileErich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André PrevinA♭ Major14B177 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de ParisBruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energicoMax Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de ParisG Major29B98 BPM
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. "Now Heaven in Fullest Glory Shone" (Raphael)Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony OrchestraB♭ Major36B109 BPM
Serenade No. 10 in B-Flat Major, K. 361 Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. AdagioWolfgang Amadeus Mozart, LSO Wind EnsembleE♭ Major05B65 BPM
Crisantemi for string orchestra by Giacomo Puccini, London Symphony Orchestra, Antonio PappanoCrisantemi for string orchestraGiacomo Puccini, London Symphony Orchestra, Antonio PappanoF♯ Minor011A101 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. AndanteFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigC Major18B96 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): III. IntermezzoGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major34B161 BPM
Sibelius: 5 Songs, Op. 38: No. 1, Höstkväll (Orchestral Version) by Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius: 5 Songs, Op. 38: No. 1, Höstkväll (Orchestral Version)Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony OrchestraC Major48B49 BPM
Grieg: Suite No. 2 from Peer Gynt, Op. 55: III. Peer Gynt's Homecoming by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraGrieg: Suite No. 2 from Peer Gynt, Op. 55: III. Peer Gynt's HomecomingEdvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraA♭ Major04B178 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9579975605010986

End: 0.9616949558258057