City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph' came out on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph is about 3 minutes long, at 3:08. Based on our data, "Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #1. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hamlet Op. 32 - 1932 Production - Act I - i. Prelude and night patrol; ii. Sheph by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | A♭ Major | 1 | 4B | 177 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 98 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. "Now Heaven in Fullest Glory Shone" (Raphael) | Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Sibelius: 5 Songs, Op. 38: No. 1, Höstkväll (Orchestral Version) | Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Major | 4 | 8B | 49 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: III. Peer Gynt's Homecoming | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 0 | 4B | 178 BPM |
Section: 0.9579975605010986
End: 0.9616949558258057