"Piobaireachd: No. 10. Failte nan Grogarach - The MacGregor's Salute: Variation 3" by Erik Chisholm, Murray McLachlan was released on April 1, 2013. With Piobaireachd: No. 10. Failte nan Grogarach - The MacGregor's Salute: Variation 3 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 37 in Chisholm, E.: Music for Piano, Vol. 4 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piobaireachd: No. 10. Failte nan Grogarach - The MacGregor's Salute: Variation 3 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piobaireachd: No. 10. Failte nan Grogarach - The MacGregor's Salute: Variation 3 by Erik Chisholm, Murray McLachlan is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: 2 Berceuses: No. 1, Très calme avec un sentiment intime | Jules Massenet, Aldo Ciccolini | E♭ Major | 1 | 5B | 62 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Lyric Pieces, Book VII, Op. 62: No. 1, Sylph | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Suite à l'ancienne: III. Corrente | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Prélude in B Major, Op. 16, No. 1 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 3 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | E Major | 3 | 12B | 100 BPM | ||
Variations and Fugue on a Theme by Handel in B-Flat Major, Op. 24: No. 14 Variation 13 | Richard Settlement | C Major | 0 | 8B | 161 BPM | ||
En Reve | Edward Cullen | B Major | 0 | 1B | 91 BPM | ||
Der Tag, der ist so freudenreich, BWV 605 (Arr. Lambert for Piano) | Johann Sebastian Bach, Jonathan Plowright | G Major | 0 | 9B | 72 BPM | ||
Études d'exécution transcendante, S. 139: No. 1, Prélude (Presto) | Franz Liszt, Francesco Piemontesi | A Major | 1 | 11B | 139 BPM |
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